That elegant surface makes it seem like a trifle, but there are layers beneath. On the Rocks is a sure footed production, involving mystery and humor, within the conflicts of family. 3 VIDEOS | 41 IMAGES. Rashida Jones plays a New York mom who begins to suspect that her work-obsessed hubby (Marlon Wayans) is cheating. Coppola’s script is built around Murray’s deadpan savoir faire, with Jones’ forthright radiance as a foil. With Jon Taffer, Samantha Taffer, Scott Terheggen, Joseph Brooke. It’s the first Sofia Coppola movie that feels — if only during its flattest stretches — as if it could have been made by somebody else, and yet at the same time it also plays like the loose and tipsy self-portrait of a maturing filmmaker being visited by the ghost of her greatest success. Most of the reviews that praise the film seem to be more in love with the concept and idea of Bill Murray than actually watching the show and seeing what he actually does, which is pretty much a mellow, aged, by-the-numbers effort. Summary: When Ruth and … It’s a seductive, amusing and beguiling turn, with perhaps an Oscar nomination in it. Summary: A teenage girl suddenly finds herself struggling to take care of herself and her younger brother. She turns to the one man she suspects may have insight: her charming, impulsive father Felix (Bill Murray), who insists they investigate the situation. Otherwise, not so much. When the persona becomes legend, play the legend. With Carlee Ryski, Riley Alexander, Gin Fedotov, Sarah Troyer. It’s a little zany, a little blue, emotionally jagged, adventurously all over the place. There’s no tortured drama, no grand revelation. Things happen in On the Rocks, but the caper-flick high jinks viewers expect to ensue never come to full, cockeyed fruition. “On the Rocks” plays like a hardwired Italian comedy, from the silly surveillance job Murray and Jones pull on Wayans to the quick jag to a gorgeous resort in the third act. Starring: Jane Leeves, Joe Regalbuto, Lily Tomlin, Faith Ford, Pat Corley, Candice Bergen, Grant Shaud, Charles Kimbrough, Robert Pastorelli. Seeing what may be Coppola’s least compelling film has a way of reminding you of all her better ones, especially in the seriocomic vein. As in “Lost in Translation,” Coppola brings out all of Murray’s many colors, sometimes all at once — his flippancy, his authority, his warmth, his isolation, his expressiveness, his inability to say everything he wants to say. If you can look beyond the 90-minute runtime depriving this movie of a more satisfying conclusion, there is not simply “a lot to like,” there’s an embarrassment of riches crying out for perusal. O filme … The album is Oldfield's second full album of exclusively songs with no long or instrumental pieces, the first being 1989's Earth Moving. The result, on screen, is deeply warm, funny and comforting, and among Coppola’s finest work. Genre (s): Drama. According to Metacritic, which assigned a weighted average score of 96 out of 100 based on 14 critics, the film received "universal acclaim". Coppola’s funny and slyly emotional film, which should be cherished, is the closest we’ll get to that for a while. Coppola pours sweet foam over a bitter cup. Director: Sarah Gavron. I'm a fan of Sofia's films, but this one is unwatchable. On the Rocks is light on plot, but makes up for it with just the sheer joy of Murray and Jones out on the town. Matt and Tanner Return in another night out in Waterloo, Iowa only to have Tyler the Tool throw their evening off with a public prank that embarrasses the Bros. and leaves them taking the night life to neighboring Cedar Falls, Iowa in pursuit of their prankster and their chance at redemption. Everything is so boring and predictable, what a pity. The story itself, with its gorgeous interiors and jazzy Chet Baker soundtrack, turns out to be a bit of a wisp, a dandelion puff tossed to the gods of romance and prime Manhattan real estate. On the Rocks is perhaps more conventional and modest than Coppola’s other films, but it’s no less entertaining or profound. Jones and Murray are wonderful together; many of the best scenes in On the Rocks are when it’s just the two of them, verbally fencing. If you’re a Bill Murray fan, the latest film written/directed by Sofia Coppola will make you happy. Full Review | Original Score: 3.5/4 And yes, you could say that he’s in effect just doing the kind of thing he always does, only more so. I'm a fan of comedy and Brian Regan is an exceptional comedian because he doesn't swear nor talk about adult subject. Please enter your birth date to watch this video: You are not allowed to view this material at this time. But trifles have their place and auteurs should be allowed their fun, which On the Rocks deploys over 90 minutes kind enough not to feel like a waste of anyone’s talents or time. Man on the Rocks is the twenty-fifth studio album by British musician Mike Oldfield, released on 3 March 2014 on the Virgin EMI label. CBS | Air Date: May 4, 1992. You see in Felix the deadpan anarchic streak that has made Murray a force in American comedy for decades. Jones and Murray (who previously teamed on Coppola’s “A Very Murray Christmas” special) achieve the kind of effortless rapport that spawns “I want them to go solve mysteries” memes, and the key ingredient of that chemistry is that Jones never allows Murray to steal the show. What any of us wouldn’t give for a spontaneous night of rule breaking and lounge hopping with a genuine NY character, like Murray’s, again. Starring: Charles Kipps, Darien Sills-Evans, Madeline Kahn, Bill Cosby, Phylicia Rashad, Jurnee Smollett, Ranjit Chowdhry, Doug E. Doug, T'Keyah Keymáh. A film that knowingly lifts riffs from screwball capers and melancholy romcoms alike, writing love letters to the city of New York as it swirls from one upmarket fairytale locale to the next. Grace and Adam are two infatuated teenagers who run away from their troubled homes and take on a life on the road. Fundamentally, On the Rocks understands that the rich complexity of long-term relationships – both paternal and spousal – can never truly be captured, only gestured towards. Ironically, this movie makes such an effort to be politically correct, but decides its perfectly ok to have the most ugly and baseless stereotype around apply to men. The performances are fine, but it’s mostly Murphy’s showcase. In the past, Coppola’s embrace of ambiguity could feel like a dodge, a way of evading meaning. As for Murray, it’s just a shame he can’t make a Sofia Coppola movie every year. Her father (Murray) plants the seeds of suspicion and. Bill Murray does all, even if his character is so forced and above the lines that his brightness is in some way turned into ridiculousness. Si tratta del primo film dopo l'accordo fatto il 15 novembre 2018 tra A24 e Apple sulla produzione e distribuzioni di … At the same time, the actor seems to be winking at his own reputation for off-screen mischief — the tricks, stunts and pop-up bartending gigs that have made him a kind of one-man flash mob. On the Rocks is perhaps more conventional and modest than Coppola’s other films, but it’s no less entertaining or profound. The good and the bad of that parental legacy and the task of disentangling from it forms the subtext of On the Rocks. © 2021 METACRITIC, A RED VENTURES COMPANY. The heart of the film is darkness, the exterior exuberance, and taken together they make for piquant viewing. I'm a fan of Sofia's films, but this one is unwatchable. R | 1h 36min | Comedy, Drama, Romance | 23 October 2020 (USA) 2:06 | Trailer. The father-daughter relationship is often witty, a seduction that never ends, and sometimes exquisitely poignant, but both roles are burdened by a script that falls into disquisition on the larger subject of men and women. It's time to fill up your queue. There are some cheerfully amusing moments . . An entertaining, wonderfully simple comedy with the qualities of a smooth martini -- it goes down easy, but delivers a bit of kick. To be clear, I prefer a subtle bit of sophisticated humour to the turd-tossing slapsticks that dominate modern movies. There are few modern filmmakers who possess Sofia Coppola’s gift for capturing how our idealized, movie-fed ideas of “night life” reflect our longing for adventure as well as our loneliness. The film never achieves lift-off, drifting instead through a series of scenes that repeat and repeat the movie’s few, basic themes before sputtering to a too easily resolved—and patly rendered—conclusion. In what possible list of definitions can "On the Rocks" be labelled a "comedy"? Operation Varsity Blues: The College Admissions Scandal, The Falcon and the Winter Soldier: Season 1. Felix isn’t On the Rocks’ main character, but he is its most interesting one, the one who seems to have the most to say and the most to hide; the one that writer/director Sofia Coppola gives her strongest comedic material and saddest monologues; the one who’s played by Bill Murray in yet another performance that feels so tossed off and yet so finely tuned. Depends on the scene. The heart of the film is darkness, the exterior exuberance, and taken together they make for piquant viewing. The Father. Storyline. Sofia's snobism is everywhere, in the details of the life of the protagonists, in the fact they mention restaurants and Clubs, in the quotes about the paintings or the painters, adding nothing to the plot but useful only to underline that "she knows". Feb 2, 2017. Notable Video Game Releases: New and Upcoming, What to Watch Now on HBO Max and the HBO App. But really the banter and the elegance needs some substance in the script and it really isn’t here, or not enough of it, and the serious moments seem glazed in a kind of negligent unseriousness. On the Rocks è un film del 2020 scritto e diretto da Sofia Coppola. I’ve never been a big admirer of his style, so there wasn’t much else to recommend this most pedestrian of Coppola’s films. It goes down like a smooth glass of wine, with perhaps a little bit of tartness. The good and the bad of that parental legacy and the task of disentangling from it forms the subtext of On the Rocks. Sofia's snobism is everywhere, in the details of the. Their relationship is put to the test when they are stranded in the Badlands. The actual plot is only there as an excuse to get the ball rolling for those two. Movie with excellent performers and wonderful direction and photography. On the Rocks isn’t a great movie, but it’s one overflowing with feelings that it tries to squash into something tidier. Written by Don Tjernagel. Here and there, Coppola seems interested in poking that Murray persona. Summary: The network tries a temporary replacement for Murphy; however, Murphy recognizes the same signs in her that show she is on the same path Murphy once traveled, alcoholism. On the Rocks ( 2020) On the Rocks. CBS | Air Date: May 4, 1998. On the Rocks is very much a father-daughter two-hander — tender and personal, dryly funny and played to perfection by Jones and Murray. If you’re a Bill Murray fan, the latest film written/directed by Sofia Coppola will make you happy. The story and interactions are mildly interesting, even though there’s little modification in the pace or energy. We wouldn’t have it any other way. He can make a mundane situation into a hilarious comedy with perfect timing and painstakingly chosen words for the maximum punch. Overall, On the Rocks isn't going to win any awards, but if there was an Oscars category for movies that make you smile, this film might just take that one for 2020. It’s the biggest test her friendships will have to face. Those include the aforementioned “Lost in Translation,” along with “The Bling Ring,” “Somewhere,” even the playfully anachronistic “Marie Antoinette.” If they’re new to you, have at them. I'm tired of comedians who have nothing to say outside of sex or sex related. On the Rocks is the kind of doodle only a truly skilled director could produce. This is a film that pulls towards awkward and silly humanity like an old roadster nosing towards the shoulder. She turns to the one man she suspects may have insight: her charming, impulsive father Felix (Bill Murray), who insists they investigate the situation. The chemistry between Murray, Jones, and Coppola is flawless. Best of 2018: Film Awards and Nominations, Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. Wonderful Apple TV+ like ever. Such a great light and entertaining movie. Its effortless touch shows the accomplished, genre-hopping Coppola continuing to expand her range. It is simply a snooze of a movie, without highs or lows, laughs or tears. Bar Expert Jon Taffer must save a failing former smoker's haven in Laguna Niguel, California from burning out for good. To be clear, I prefer a subtle bit of sophisticated humour to the turd-tossing slapsticks that dominate modern movies. Coppola sends us on a light, frothy father/daughter adventure, to be sure, but one suffused with the tiny tragedies of misogyny, and the excuses men make for their selfish behavior. The movie’s movingly confessional, even penitent look at private and public abuses of power is a glance askance at Hollywood mythologies, too. © 2021 METACRITIC, A RED VENTURES COMPANY. But On The Rocks shines brighter in the context of a career, especially in indirect dialogue with Lost In Translation. Spun mostly of sugar and air, this film is a lightweight, but mostly sweet, treat – and a lovely reminder of when pictures could just be low-key amusements, and the pandemic hadn’t yet turned cities into ghost towns. Brian Regan: On the Rocks 58min | Comedy | TV Special 23 February 2021 Brian Regan tackles the big issues weighing on him, including aging, time, obsessive behavior, backpacks on airplanes, ungrateful horses and raisins. On the Rocks is practically a distillation of Coppola’s Lost in Translation style. A meandering sort of sitcom plot (again, lacking "com") they stretched and padded out from 25 minutes to 96. Coppola takes Manhattan with a breezy, beautifully observed daddy-daughter portrait. A well-modulated vision of the fight against encroaching malaise or mere trifle dressing itself up? ALL RIGHTS RESERVED. Things happen in On the Rocks, but the caper-flick high jinks viewers expect to ensue never come to full, cockeyed fruition. On the Rocks isn’t Coppola’s most momentous film — it’s a little too frothy, all crackle and no pop — but its near lackadaisical tone and a delightful Murray performance make it an entertaining watch. The website's critical consensus reads: "A fresh, funny coming-of-age story rooted in realistic characters and anchored with a meaningful message, Rocks is as solid as its title suggests." . The Best Rated Movies On Metacritic In 2021 Rocks. Her father (Murray) plants the seeds of suspicion and helps her discover the truth. Laura (Rashida Jones) thinks she’s happily hitched, but when her husband Dean (Marlon Wayans) starts logging late hours at the office with a new co-worker, Laura begins to fear the worst. As the two begin prowling New York at night, careening from uptown parties to downtown hotspots, they discover at the heart of their journey lies their own relationship. While its comedy sets it apart from her other work (though Murray provided similar comedic relief in the iconic Lost in Translation), On the Rocks still contains the classic tropes of a Sofia Coppola film: an intimate look at isolation, satirical depictions of privileged society, and a. On the Rocks is light-hearted and, ultimately, more a story about a girl and her father. However, the bar's gang of hard … Minor Murray, you might call it? The film is understated and pleasant, with Murray stealing the show and the story offering some much needed uplift and comfort. If you’re a romantic, though, the movie’s inciting incident — the bomb that detonates all the problems to come — probably plays like something closer to a scene out of a horror movie. So, if you must celebrate Bill Murray Day this year, pour yourself a Suntory Whisky and watch "Lost in Translation" instead. Beautiful story and ending. Sofia, so good. Rashida Jones plays a New York mom who begins to suspect that her work-obsessed hubby (Marlon Wayans) is cheating. The truth is that just as many married women cheat as much as men, if not more, and studies reflect this. There’s something a little tidy about the resolution, closing a movie of messy emotional confusion on a note of affirmation and maybe even a kind of surrender. Interesting story line, fun conversation set in New York. . 53 out of 79 found this helpful. Operation Varsity Blues: The College Admissions Scandal, The Falcon and the Winter Soldier: Season 1. While its comedy sets it apart from her other work (though Murray provided similar comedic relief in the iconic Lost in Translation), On the Rocks still contains the classic tropes of a Sofia Coppola film: an intimate look at isolation, satirical depictions of privileged society, and a cinematographic love letter to a place and time. And make that drink neat. In what possible list of definitions can "On the Rocks" be labelled a "comedy"? On The Rocks is almost like a Trojan Horse of intoxicating libations and magical evenings—Murray’s sporty ‘60s candy red Alfa Romeo convertible being the vehicle of these enjoyments— a capricious trick that belies the true nature of its thoughtful and feminine perspective on the difficulties of love, life, marriage, and complex fathers. Laura (Rashida Jones) thinks she’s happily hitched, but when her husband Dean (Marlon Wayans) starts logging late hours at the office with a new co-worker, Laura begins to fear the worst. Eu assisti todo o filme com a mesma sensação que ele tenta nos contar apenas em seu final: nada está acontecendo. 2020年10月2日にアメリカ、英国、日本などで劇場公開。 Rocks always sticks up for others, but she has a tougher time sharing her own vulnerabilities. 『オン・ザ・ロック』（原題:On the Rocks）は2020年に公開されたアメリカ合衆国のドラマ映画である。監督・脚本・共同製作はソフィア・コッポラ。 ビル・マーレイとラシダ・ジョーンズが主役の父娘を演じる。. ALL RIGHTS RESERVED. Staging multiple sequences as extended Altman-esque tapestries in which overlapping voices uneasily harmonize with the soundtrack's swelling jazz, On the Rocks … Happiness with Bill Murray is in the small things, and this movie is no different. On the Rocks would have been much better if Murray had done some poking too. Notable Video Game Releases: New and Upcoming, What to Watch Now on HBO Max and the HBO App. In the past, Coppola has taken us dreamingly through suburbia in The Virgin Suicides, Tokyo in Lost in Translation, Versailles in Marie Antoinette, and now the streets, restaurants, and apartments of Manhattan in On the Rocks. Coppola sends us on a light, frothy father/daughter adventure, to be sure, but one suffused with the tiny tragedies of misogyny, and the excuses men make for their selfish behavior. Thanks to a master class in comic and dramatic nuance from Bill Murray and Rashida Jones as a father and daughter dealing with cross-generational infidelity, director Sofia Coppola turns a wispy premise into something funny, touching and vital. It is a mere attempt of revisiting the man/woman complicity we saw in Lost in Translation, mixed with Bridget Jones scenes, literally copied, and with a touch of Sex and the City. On the Rocks turns into a boozy humanistic hang-out caper movie, one that’s light-spirited and compelling, mordantly alive to the ins and outs of marriage, and a winning showcase for Murray’s aging-like-fine-whisky brand of world-weary deviltry. This film is the slightest story Coppola has ever produced; it only brushes up against deeper insights during its brief running time. He plays very much to type as a charming, eccentric, off-center womanizer. But in On the Rocks, a wistful and lovely story about finally coming of age, there’s nothing ambiguous about how she makes us see a woman too long lost in life’s shadow. There may be no more fitting snack for a film that exudes casual bon-vivant allure, but is fundamentally nibbles and froth. Lighter and slighter than we may expect from Coppola, On The Rocks is an eminently charming, gorgeous portrait of a daughter, wife and mother finding her way back to herself via the streets of New York City.
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